
ON OUR RADAR
Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

What happens when the person you trust most suddenly becomes a stranger? In Marie Kreutzer’s “Gentle Monster”, Léa Seydoux gives a quietly devastating performance as Lucy, a woman forced to confront the collapse of everything she thought she knew.

The Norwegian design heritage is distinct and has worked its way into almost every collection at Oslo Runway, whether it be the infamous Scandinavian minimalism at Envelope1976 or the unmistakable Norwegian knit patterns during Kari Traa’s show. Numéro Berlin was there to experience the 11th edition of Norway´s Fashion Week first-hand and report back on upcoming trends, colours and brands to remember.

His work is defined by an inherently asymmetrical approach, working directly from the human body, with no pattern piece ever mirrored. We got an insight into who Leon Emanuel Blanck is as an artist and designer and into his way of thinking.

He produced some of the most recognizable hip hop tracks of this century, from Kendrick Lamar´s “Money Trees” over to the iconic “I Don’t Fuck with You” by Big Sean. After decades behind the production desk, Dahi has now switched sides and just released his first solo album. When talking to Numéro Berlin, he gives more insight into “Black Boy (Alternative)“, reflects on the beauty of collaboration, and his trust in God making the right choices for him.

Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

For more than two decades, Gonzalez Haase AAS have worked across architecture, scenography, lighting and design. Founded in Berlin in 1999 by Judith Haase and Pierre Jorge Gonzalez, the studio has developed a distinct approach to space, material and light, with projects spanning galleries, fashion and cultural spaces. Their latest project, Spatial Objects, brings this thinking into a collection of sculptural, modular pieces made entirely from discarded marble offcuts, created in collaboration with Munich-based Marbledworks. On the occasion of Currents, we spoke with Haase and Gonzalez about the series, their approach to leftover materials, and the unexpected possibilities of marble.